99.

OTIA TVTA
André Catalão
Agostinho Gonçalves
Paulo Lisboa
Eduardo Petersen

inauguração | preview
terça-feira, dia 28 de abril das 19h e 03m às 19h 58m, no Palácio Quintella
tuesday, 28th april, from 19:03 till 19:58m, at Palácio Quintella

Rua do Alecrim, nº 70, Lisboa
OTIA.TVTA@gmail.com

98.

call for proposals


The Watermill Center - Laboratory for Performance
Fall & Spring Residencies
2009 - 2010

Application due date:
May 31, 2009

http://www.watermillcenter.org

Watermill, a "laboratory for performance" that supports the development of experimental and cross-disciplinary artistic practices is pleased to announce a call for proposals for the Fall 2009- Spring 2010 Residencies.

Watermill invites emerging artists to submit ambitious proposals for the creation of collaborative works which critically investigate, challenge, and extend the existing norms of performance practice. Watermill also welcomes research proposals from established scholars. Watermill is actively engaged in raising its international profile and extending its network of associates and encourages proposals from artists based outside the US.

The Watermill Center uses Slideroom to gather proposals and work samples for its residency program.

All proposals must be submitted via our online system at watermillcenter.slideroom.com. There are no exceptions.

Complete guidelines and site plans are available for viewing at right.

The Watermill Center was founded in 1992 by its Artistic Director Robert Wilson as an international, multi-disciplinary center for studies in the arts and humanities. For the past 16 years, the Watermill Center has been home to an International Summer Program led by Robert Wilson, focusing on new projects that he is developing in all areas of the arts. With the opening of its new building in 2006, the Center became a year-round performing arts laboratory for emerging artists. Expanded programs in the Spring and Fall include workshops and classes, artist residencies, conferences and lectures, and a variety of local and international educational partnership programs. Watermill collaborates with institutions such as Park Avenue Armory, Kampnagel Hamburg, CUNY Martin E. Segal Theater Center, Taipei Cultural Center, Chez Bushwick and Radialsystem Berlin.

The Center seamlessly combines performance and rehearsal sites with working and communal living spaces. Its flexible and multi-purpose interiors house informal performance halls, the Watermill Art Collection, a selection of Robert Wilson's own furniture designs, an extensive reference library, kitchen facilities and dormitory. The Center is situated on six-acres of wooded and landscaped grounds.

As part of the Center's outreach program, residents are required to conduct a public such as a master class, open rehearsal, or a workshop for schools or other local groups. Concurrent with the residencies, Watermill Center staff conduct tours of the facilities, grounds and collection, as well as educational programs for visiting students.

SELECTION
An International Selection Committee convenes in mid-July to review proposals. The Selection Committee includes prominent artists, scholars, and arts professionals. Proposals will be evaluated on the basis on the artistic quality of the submitted work samples as well as the quality and incisiveness of the proposal narrative.

Marina Abramovic, Performance Artist (Serbia)
Marie-Claude Beaud, Curator and Director of the Musée d'Art Modèrne Grand-Duc Jean (Luxemburg)
Jonathan Safran Foer, Writer (US)
Alanna Heiss, Founding Director, P.S. 1 (US)
Jürgen Kluge, Director, McKinsey and Company, Inc. (Germany)
Xavier Le Roy, Choreographer and Performer (France)
Albert Maysles, Film maker (US)
Michael Morris, Co-Director, Artngel, and Director, Cultural Industry (UK)
Gérard Mortier, General Manager of the Opéra de Paris (Belgium)
Ida Nicolaisen, Anthropologist and President of the United Nations Permanent Forum of Indigenous
Issues (Denmark)
John Rockwell, Journalist (US)
Christoph Schlingensief, Film Maker, Visual Artist and Theater and Opera Director (Germany)
Richard Sennett, Sociologist and Cultural Critic, New York University & London School of Economics (US)
Nike Wagner, Artistic Director, Kunstfest Weimar (Germany)


CONTACT INFORMATION
Sherry Dobbin
Watermill Program Director
+1 631 726 4628
residencies@watermillcenter.org
http://www.watermillcenter.org/program/residencies.php

97.

miguel bonneville
family project - abuse

performance | desenho | objectos | vídeo

images at http://missdove.blogspot.com/2009/04/miguel-bonneville-at-31.html

17-04-09 - 09-05-09
3 + 1 arte contemporânea
rua antónio maria cardoso, 31
1200-026 lisboa

96.

workshops artes digitais | digital art workshops
|| http://inmotion.pt/workshops


Estas workshops são destinadas a músicos, performers e artistas visuais que pretendam
expandir os seus conhecimentos em técnicas e tecnologias de processamento áudio e
vídeo em tempo real, com destaque para Live Acts, VJing, e Síntese Sonora.
Especial destaque para a workshop de Supercollider onde iremos abordar Live Coding
e Physical Computing em ambientes de performance.

These workshops are aimed at musicians, performers and visual artists who wish to expand
on technics and knowledge for audio processing, realtime video with focus on Live Acts,
VJing and Sound Synthesis. Relevance goes to Supercollider workhop which will focus on
Live Coding and Physical Computing for live performance ambiences.


PHYSICAL COMPUTING EM MAX/MSP
18 & 19 Abril 2009 || Luis Aly

INTRODUÇÃO AO SUPERCOLLIDER I
25 & 26 Abril 2009 || Renate Wieser & Julian Rohrhuber

INTRODUÇÃO AO SUPERCOLLIDER II
2 & 3 Maio 2009 || Renate Wieser & Julian Rohrhuber

EDIÇÃO DE VÍDEO EM FINAL CUT
9 & 10 Maio 2009 || Francisco Moura
---
PHYSICAL COMPUTING WITH MAX/MSP
18 & 19 April 2009 || Luis Aly

INTRODUCTION TO SUPERCOLLIDER I
25 & 26 April 2009 || Renate Wieser & Julian Rohrhuber

INTRODUCTION TO SUPERCOLLIDER II
2 & 3 May 2009 || Renate Wieser & Julian Rohrhuber

VIDEO EDITING WITH FINAL CUT
9 & 10 May 2009 || Francisco Moura


+info:
Inscrições por email ou telefone até um dia antes da respectiva workshop. | Subscriptions by email/telephone up to one day before each workshop.
email: workshops@inmotion.pt
telephone: +351 962685341 || +351 916296563

onde | where:
Espaço IMERGE
Rua Santa Catarina, 777
4000 - 454 Porto, Portugal
Telef: + 351 222 010 107

95.

still life
marta wengorovius

Still Life teve a sua primeira apresentação no centro Cultural de Lagos inserido na exposição Acção como Pintura. Trata-se de uma composição de uma natureza morta em tempo real. A terceira apresentação ocorrerá no dia 25 Abril, pelas 12:00h, na Herdade do Freixo do Meio, Montemor-o-Novo.

Os cozinheiros deste projecto são: Ana Pimentel, Alfredo Cunhal, Gonçalo Monteiro, Rosário Magalhães, Marta Wengorovius, Filipe Nogueira, Francisco Figueira, João Wengorovius e Leo Guzman.

quando: quinta-feira dia 16 de abril, pelas 18:00h
Rua Garcia da Orta, 70-2º Dtº, Lisboa

94.

antónio lago: everything is gonna be all right

beatriz & albuquerque mendes: os cavalos também se abatem

maria lemos & teresa prima: meeting point

n’a | at Sala
18-04-09, sábado | saturday, 22h
Rua do Bonjardim, 235 2º
Porto

. Everything is gonna be all right teve como base um workshop sobre Beleza
com a Teresa Prima, que me levou a abordar, interrogar, lembrar, afirmar e
conservar a beleza dos espaços onde a continuidade do tempo é sensível,
e a duração transmite um sentimento de perfeita sintonia com o próprio ser.

. Os cavalos também se abatem é uma abordagem ao jogo entre duas
pessoas e a sua existência.


. “Meeting Point não pretende ser nada mais do que isso, um encontro. Se houver
necessidade de o localizar, ele deve ser circunscrito ao lugar ao qual pertence: a própria vida."
Teresa Prima

"Há um desejo de um encontro, de um encruzilhar por um período de tempo as linhas
da vida que vêm de um sítio lá atrás e caminham para outro desconhecido. É portanto
um momento apanhado com uma especial potencialidade porque é um momento partilhado.
Um encontro, onde o que existe à partida é apenas e tanto isso, um desejo forte de estar junto."
Maria Lemos

Cada "Meeting Point" é um evento único e irrepetível.
("Meeting Point" aconteceu pela primeira vez a 6 de Julho 2008 na Maya Gallery
em Bangalore, India, entre o performer Arka Mukhopadhyay e Teresa Prima.)




+ info:
http://asalanabaixa.blogspot.com/

a Sala
é um projecto de mostra de criações performativas
localizado num apartamento de habitação na baixa do Porto.
uma vez por mês,
apresenta projectos performativos
de autores de diversas áreas (artes plásticas, música, dança, teatro entre outras).

93.

está a morrer e não quer ver
Espaço Campanhã
11 de Abril, às 16H00


com:
Ana Deus, André Cepeda, André Sousa, António Caramelo, António de Sousa, Arlindo Silva, Beatriz Albuquerque, Carla Filipe, Carlos Noronha Feio, César Figueiredo, Cristina Regadas, Der Fehler, Eduardo Matos, Fidalgo de Albuquerque, Francisco Eduardo Roldão, Isabel Ribeiro, Israel Pimenta, João Marçal, José Almeida Pereira, Luís Figueiredo, Manuel Santos Maia, Marco Mendes, Mauro Cerqueira, Miguel Carneiro, Nuno Ramalho, Paulo Mendes, Pedro Magalhães, Rita Castro Neves, Samuel Silva + Bolos Quentes, Sónia Neves, Teixeira Barbosa, Vera Mota.


de 6ª feira a Sábado das 15H às 20H
11 de Abril até 01 de Maio (Dia do Trabalhador)

-----------------------------------------------------------------------------------------------
25 de Abril, (Dia da Revolução,) às 18H30
Concerto “Hinos para a Europa dos 27” por Marçal dos Campos
-----------------------------------------------------------------------------------------------


Comissário: José Maia

Espaço Campanhã
Rua Pinto Bessa 122 – Armazém 4. (atrás do BANIF) _ 4300-472 Porto
Visitas por marcação: 912897580 / linha1@plataformacampanha.com

92.

video jack
5/4/2009

Video Jack (André Carrilho and Nuno Correia) will premiere their new Audio-Visual project, Master and Margarita, at Kiasma Theatre, Helsinki, this Sunday, 5th April, at 17:00h. The performance is part of the PixelAche festival.

“Master and Margarita” is an audio-visual adaptation of Michail Bulgakov’s masterpiece with the same name. The visual style of Video Jack’s “Master and Margarita” brings together a graphical collage of photographic and drawn elements into interactive animations, with a strong influence of Soviet-period imagery. The surreal, almost demential, universe of Bulgakov is captured graphically. In sonic terms, the references are Igor Stravinsky, Kurt Weil, Can, Einstürzende Neubauten, Pan Sonic and Vladislav Delay.

+info:
http://2009.pixelache.ac/projects/master-and-margarita/